Elsewhere in the Land of Parrots

 

Profiled: Jim Paul

(Harcourt Books, Orlando, Florida, 2003, 805 pp, ISBN: 0-15-100495-1 U.S. $24.00 h/c)

It is often said fact is stranger than fiction. 

If that is the case, if you want to write good, riveting fiction, it stands to reason drawing on some real life facts can make for a rather fascinating story. 

That’s what Jim Paul did when he wrote the book, Elsewhere in the Land of Parrots. 

The book tells the tale of poet David Huntington and his search for meaning and fulfillment in a world that seems to be closing in on him, cutting him off from any meaningful human relationships. When a parrot given to him as a gift scares off the first potential girlfriend he’s met in months, he throws the parrot out the window. Guilty, he tries to find it, winding up at San Francisco’s Telegraph Hill, famed for its wild parrot flocks. He winds up going to Ecuador in search of an ancient flock of parrots purported to live in the mangrove swamps. There, his fate intersects that of Fern Melartin’s, an American scientist on her own ornithological quest. 

In weaving the story, Paul - who has never lived with a parrot himself - drew partly on his own experiences as a poet as well as on those of a friend who went through a parrot experience similar to the one the Huntington character undergoes in the book. 

“I got to know the conure of a friend of mine fairly well,” says Paul. “I think it may be one of those birds that eventually ended up on Telegraph Hill.” 

At the time, his friend, like Huntington, was living alone with the conure and a dog, following a divorce. Paul was trying to help him “return to life, bring him back into the world.” 

“My friend Harry was living in a house in San Francisco with the bird, which had become very territorial and would attack any new person in the house. I suggested it might be better to let the bird go, and with some trepidation, we opened the window one day, and released the bird. It flew away directly as if it knew where it was going. 

“The scene described in the book is pretty much the way it happened in real life.” 

Years went by, and although not what he would call a “parrot person,” Paul became interested in parrot lore, wondering (a little guiltily) if a parrot could survive in the habitat in which they’d released it. A friend of his told him about the wild parrots at Telegraph Hill, he went to see them for himself, and met Mark Bittner, (pre-book and movie) who was very helpful in telling Paul all about the flock. 

That formed the germ of the idea for the book, and he was off and writing. He began the story as a non-fiction book, but it eventually morphed into fiction. 

During the course of writing and researching the book, Paul traveled on a boat to Ecuador’s mangrove much as Huntington does in the story. 

“I was well into the research for the book, and I went down specifically to try to find the home ground of those birds,” he says. “With my other books, I’ve always taken the seed of an idea then gone on the road with it. 

“I hiked around a bit in Ecuador and did see at least one flock of that species of Aratinga conure.” 

In addition to his on-site research in San Francisco and Ecuador, Paul studied several books and publications about parrots intensely. 

“Parrots of the World became my bible,” he says. “It really has everything.” 

To further his knowledge even more, Paul also made a trip to visit Dr. Irene Pepperberg, and met Alex, the African grey parrot, one of the main subjects in her studies about communication and cognitive abilities in parrots. 

One idea that helped feed his creative muse was the thought of the pre-Columbian New World, in particular, the Caribbean. 

“The flocks of parrots that lived then were astonishing,” he says. “To think about that huge, ancient life that we only get glimpses of now was one of the things I wanted to capture for David, to let him have a feeling of all that, so that I could convey my sense that these birds were a look at something wonderful and ancient – which is the main point of the book, I think.” 

One of the unique pleasures Paul took from the whole process was a new understanding, a new point-of-view about parrots and birds in general. 

“They’re very cognizant of themselves, they’re not doing a rote, instinctual thing in their environment. Not being a parrot-person, I came to that realization as I worked on this book. 

“To me, that was the thrill of the book.” 

While he found the whole two-year process of researching and writing Elsewhere to be educational and enjoyable, don’t look for another book about parrots anytime soon. His next book is about runes and Norse lore. 

“It (another parrot book) could happen, but I generally like to deal with one subject then, move on,” he says. “For me to start a book, it has to have a thread a connection to my life at the moment, something that comes along that I think about, and read about, and I start taking notes, then the book happens. Writing a book is a really organic process. 

“But you never know … ”

(This story originally appeared in the September 2006 issue of Parrots Magazine. I retain all rights to its publication.)

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